Thursday, 26 November 2015

Screen play analysis of Fightclub

Screen play analysis of Fightclub
Key
1) Interior or exterior
2) Location is described
3) Character placement
4)Character Description
5) Dialogue underneath character name.





F I G H T C L U B
     by Jim Uhls

     based on a novel by Chuck Palahnuik

2/16/98
--------------------------------------------------------------
SCREEN BLACK
JACK (V.O.)                  People were always asking me, did I
                 know Tyler Durden.


FADE IN:
INT. SOCIAL ROOM - TOP FLOOR OF HIGH RISE -- NIGHT
     TYLER has one arm around Jack's shoulder; the other hand
     holds a HANDGUN with the barrel lodged in JACK'S MOUTH.
     Tyler is sitting in Jack's lap.


     They are both sweating and disheveled, both around 30; Tyler
     is blond, handsome; and Jack, brunette, is appealing in a
     dry sort of way.  Tyler looks at his watch.

TYLER                  One minute.
                       (looking out window)
                 This is the beginning.  We're at
                 ground zero.  Maybe you should say a
                 few words, to mark the occasion.

JACK                  ... i... ann....iinn.. ff....nnyin...

JACK (V.O.)                  With a gun barrel between your teeth,
                 you only speak in vowels.


     Jack tongues the barrel to the side of his mouth.

JACK                        (still distorted)
                 I can't think of anything.


JACK (V.O.)                  With my tongue, I can feel the
                 rifling in the barrel.  For a second,
                 I totally forgot about Tyler's whole
                 controlled demolition thing and I
                 wondered how clean this gun is.


     Tyler checks his watch.

TYLER                  It's getting exciting now.

JACK (V.O.)                  That old saying, how you always hurt
                 the one you love, well, it works both
                 way.


     Jack turns so that he can see down -- 31 STORIES.

JACK (V.O.)                  We have front row seats for this
                 Theater of Mass Destruction.  The
                 Demolitions Committee of Project
                 Mayhem wrapped the foundation columns
                 of ten buildings with blasting
                 gelatin.  In two minutes, primary
                 charges will blow base charges, and
                 those buildings will be reduced to
                 smoldering rubble.  I know this
                 because Tyler knows this.


TYLER                  Look what we've accomplised.
                       (checks watch)
                 Thirty seconds.


JACK (V.O.)                  Somehow, I realize all of this -- the
                 gun, the bombs, the revolution -- is
                 really about Marla Singer.


     PULL BACK from Jack's face.  It's pressed against TWO LARGE
     BREASTS that belong to...BOB, 45, a moose of a man.  Jack is
     engulfed by Bob in an intense embrace.  Bob weeps openly.


JACK (V.O.)                  Bob had bitch tits.

     PULL BACK to wide on...

INT. CHURCH MEETING ROOM - NIGHT
     Men are paired off, hugging, talking in emotional tones.
     Near the door, a SIGN on a stand: "REMAINING MEN TOGETHER."


JACK (V.O.)                  This was a support group for men with
                 testicular cancer.  The big moosie
                 slobbering all over me was Bob.


BOB                  We're still men.

JACK                  Yes.  We're men.  Men is what we are.

JACK (V.O.)                  Six months ago, Bob's testicles were
                 removed.  Then hormone therapy.  He
                 developed bitch tits because his
                 testosterone was too high and his
                 body upped the estrogen.  That was
                 where my head fit -- into his huge,
                 sweating tits that hung enormous, the
                 way we think of God's as big.


BOB                  They're gonna have to open my pec's
                 again to drain the fluid.


     Bob hugs tighter; then looks with empathy into Jack's eyes.

BOB                  Okay.  You cry now.

     Jack looks at Bob.

JACK (V.O.)                  Wait.  Back up.  Let me start earlier.

INT. JACK'S BEDROOM - NIGHT
     Jack lies in bed, staring at the ceiling.

JACK (V.O.)                  For six months.  I could not sleep.

INT. COPY ROOM - DAY
     Jack, sleepy, stands over a copy machine.  His Starbucks cup
     sits on the lid, moving back and forth as the machine copies
.

JACK (V.O.)                  With insomnia, nothing is real.
                 Everything is far away.  Everything
                 is a copy of a copy of a copy.


     Other people make copies, all with Starbucks cups, sipping.
     Jack picks up his cup and his copies and leaves.


INT. JACK'S OFFICE - SAME
     Jack, sipping, stares blankly at a Starbucks bag on the
     floor, full of newspapers and FAST FOOD GARBAGE.


JACK (V.O.)                  When deep space exploration ramps up,
                 it will be corporations that name
                 everything.  The IBM Stellar Sphere.
                 The Philip Morris Galaxy.  Planet
                 Starbucks.


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